Nezih Erdogan CV  
  NEZİH ERDOĞAN

nezih.erdogan@gmail.com

http://www.neziherdogan.net

 

  EDUCATION

Ph.D. (1989) in Film and Television, Anadolu University, Eskişehir, Turkey “Seyirci ve Bir Anlamlama Süreci Olarak Sinema”/”Spectator and Cinema as a Signification Process”

Visiting Scholar 1985-1986 English and American Studies/Film Studies, University of East Anglia, Norwich, UK

BA (1981) in Film and Television, Faculty of Communication, Anadolu University, Eskişehir, Turkey

  PROFESSIONAL EXPERIENCE  
  July 2014 - present Chair, Cinema and Television School of Communications, Istanbul Şehir University
  Spring 2012- February 2014 Chair, Cinema and Digital Media, Faculty of Comunication, İzmir University of Economics
  Fall 2011 – Spring 2012

Chair, Media and Communication, Faculty of Comunication, İzmir University of Economics

  Spring 2009- 2011 Coordinator, Film and Television Master of Arts Programme, Istanbul Bilgi University
  2005- 2011 Dean, Faculty of Communication, Istanbul Bilgi University, İstanbul
  Spring 2005 Vice Dean, Faculty of Communication, Bahçeşehir University, Istanbul
  Fall 2004 – Spring 2005 Dean of Graduate School, Coordinator of MA in Film and Television Programme, Bahceşehir University, Istanbul
  Fall 2001 – Spring 2003 Vice Dean and Chair of Film and Television, Faculty of Communication, Bahcesehir University, Istanbul
  Fall 1991 – 2001 Lecturer, Faculty of Arts, Design and Architecture, Bilkent University, Ankara
  Fall 1981 – 1991

Lecturer, TV Director-Producer, Faculty of Communication, Anadolu University, Eskisehir

 

  COURSES TAUGHT

Film Melodrama

Film Sound

Visual Culture

Film Grammar

Semiotics and the Work of Art

Image and Text

Animation and Film-TV Graphics

Introduction to Art and Culture

Film Semiotics

Film Sound

Film and Video Production

Images , Sounds, Cultures

Film Studies

  THESES SUPERVISED

Evren Toparlak, MA, "Fillm Pazarlamada Sosyal Medyanın Gücü", Haziran 2012, İstanbul Bilgi University.

(co-advisor) Berfu Şeker, MA, “Resignifying the Mainstream: Transgender Embodiment in Cinema in Turkey”, September 2011, Boğaziçi University.

Serazer Pekerman Dayıoğlu, MA, “The Spatial Configuration in Serdar Akar’s Films, June 2004, Bahçeşehir University.

Ece Pazarbaşı, MA, “Paranoia in Terry Gilliam’s Films”, (MFA), May, 2001, Bilkent University.

Nur Yavuz, MA, “The World In-Between: Cinematography,” December, 2000, Bilkent University.

Esin Hoşsucu, MA, “Jean Luc Godard in the Sixties”, December, 2000, Bilkent University.

Berke Atasoy, MA, “Design of an Interactive Sequential Graphic System on Cyberspace,” January 2000, Bilkent University.

Çetin Sarıkartal, PhD, “Encounter, Mimesis, Play: Thetricality in Spatial Arts”, September 1999, Bilkent University

.Dilek Kaya, MFA, MA, “F is for Film, G is for Greenaway: The Cinematic Representation in the Films of Peter Greenaway”, May, 1999, Bilkent University.

Nazlı Eda Noyan, MA, ”Romance: An Investigation of Design and Signification in the Movie Posters of Turkish Melodrama”, May, 1998, Bilkent University.

Savaş Arslan, MA,, “Center vs Periphery: Visual Representation of the Party Scenes in Yeşilçam Melodramas”, June 1997, Bilkent University.

Gökhan Ersan, “Hero vs Anti-hero: Spatial Form and the Graphic Novel”, June 1997, Bilkent University.

Ahmet Gürata, MA, “Filmic Space in Turkish Melodrama”, June 1997, Bilkent University.

Leyla Özcivelek Durlu, PhD, “Representation and Women: Construction of Gender-Roles in Computer Games”, June 1996, Bilkent University

.

 

OTHER PROFESSIONAL EXPERIENCE

 
  2009 - ongoing

Early Cinema in Turkey 1894-1928 Digital Document Archive, funded by Istanbul Bilgi University and Ministry of Culture and Tourism.

http://arsivsinemaseyir.com

  2010 Video Project. Producer/Director Istanbul Do/Redo/Undo: Waters, Streets, Faces DVD, February 2010. Istanbul 2010 Cultural Capital of Europe
  1999-2000

Consultant and writer for TV series "Architecture and Life" ("Mimarlık ve Yaşam) produced by TEPE & The Society for the Dissemination of Architectural Culture for national TV channel NTV.

  PUBLICATIONS  
  chapters in books, artciles in journals ""Turkey" in The International Film Musical (eds) Corey K Creekmur, Linda Y Mokdad, Edingburgh University Press 2012.

“Bir Seyirci Yapmak: 1896 – 1928 arası İstanbul’da Sinema ve Modernlik” İstanbul Nereye? Küresel Kent, Kültür, Avrupa (ed.) Deniz Göktürk, Levent Soysal, İpek Türeli, İstanbul: Metis, 2011, 175-190.

“The Spectator in the Making: Modernity and Cinema in Istanbul, 1896-1928”, in Orienting Istanbul: Cultural Capital of Europe? (eds) Deniz Göktürk, Levent Soysal and İpek Türeli , London, Routledge, 2010, 129-143.

"Star Director as Symptom: Reflections on the Reception of Fatih Akın in the Turkish media" New Cinemas: Journal of Contemporary Film vol. 7, no: 1, August 2009, 27-38.

"Hindistan Cevizi" Altyazı no: 86, July - Aug, 2009.

"Çirkin Seyirci" Altyazı no: 82, March, 2009.

“Kezban goes to Rome and then Paris: European Twists in the Turkish Family Plot” in Shifting Landscapes: Film and Media in European Context, (ed) Miyase Christensen and Nezih Erdoğan, New Castle: Cambridge Scholars Press, 2008, 188-197.

"Uzak" in 1001 Films You Must See before You Die (ed) Stephen Jay Schneider, New York: Barron's, 2008.

“The Bandit” The Cinema of North Africa and the Middle East /24 Frames, (ed) Gönül Dönmez Colin, London: Wallflower Press, 2007.

“Edebiyatımızda Sinema: Ahmet Hamdi Tanpınar, Ahmet Haşim ve Ziya Osman Saba”, Türk Filmi Araştırmalarında Yeni Yönelimler 5, 2006, 107-115.

“The Making of our America : Hollywood in a Turkish Context”, in Hollywood Abroad: Audiences and Cultural Exchange, (eds) Richard Maltby & Melvyn Stokes, London: British Film Institute, 2005.

"Vizontele: Türk Sinemasında Modernleşmenin Temsili" Türk Film Araştırmalarında Yeni Yönelimler 4 Deniz Bayrakdar (ed) İstanbul, Bağlam Yayınları, 2004, 165-169.

"Powerless Signs: Hybridity and the Logic of Excess of Turkish Trash" in Mapping the Margins: Identity Politics and the Media, (eds) Karen Ross, Deniz Derman, Cresskill, NJ, Campton, 2003.

"Yeşilçam'da Sessiz Bedenler, Bedensiz Sesler", Türk Film Araştırmalarında Yeni Yönelimler 3 Deniz Bayrakdar (ed) İstanbul, Bağlam Yayınları, 2003, 107- 124.

“Mute Bodies, Disembodies Voices: Notes on Sound in Turkish Popular Cinema”, Screen , vol: 43, no: 3 (Autumn, 2002, 233- 249.

“Violent images: hybridity and excess in The Man who Saved the World ” in Mapping the Margins: Identity, Politics and the Media, (eds) Karen Ross, Deniz Derman, Creskill, NJ, Hampton, 2002.

(with Dilek Kaya) “Institutional Intervention in the Distribution and Exhibition of Hollywood Films in Turkey”, Historical Journal of Film, Radio and Television , vol. 22, no: 1, 2002, 47-59.

(with Deniz Göktürk ), “Turkish Cinema” in Companion Encyclopedia of Middle Eastern and North African Film , Oliver Leaman (ed) Routledge, 2001, 533-573.

“Perdeye Seyirci Kalmak ”, XXI Mimarlık Kültürü Dergisi, October , 2001.

“Yeşilçam'in Hayaletleri ”, İletişim , no: 10, Summer, 2001, 251-256.

(with Ugur Güdükbay and Fatih Erol ) “Beyond Tradition and Modernity: Digital Shadow Theatre” (artists' statement) Leonardo vol 33, no: 4, August 2000, 264-265.

“Veiled and Revealed” (review : Meyda Yeğenoğlu, Colonial Fantasies: Towards a Feminist Reading of Orientalism . London and New York: Cambridge UP, 1998) Postmodern Culture , vol 10, no: 2, January 2000.

(with Uğur Güdükbay and Fatih Erol) “Tradition Offers Artistic Possibilities for New Media Technologies: an Animation System for Shadow Theatre” (conference proceeding) ISEA 2000, December, Paris, France, 7-12 December, 2000.

"'Turhan Bey'i Takdim Ederiz'" Geceyarısı Sineması no: 4, Bahar 1999, 37-45.

“Narratives of Resistance: National Identity and Ambivalence in the Turkish Melodrama between 1965 and 1975” Screen vol 39, no: 3 Autumn 1998, 259-271. reprinted in Screening World Cinema (eds) Catherine Grant, Annette Kuhn London, New York: Routledge, 2006, 145-159.

"Üç Seyirci : Popüler Eğlence Biçimlerinin Alımlanmasi Üzerine Notlar”, Doğu-Batı, no: 2, February–March-April, 1998.

"Yeşilçam'da Beden ve Mekanın Eklemlenmesi Üzerine Notlar”, Doğu - Batı , no: 2, February -March-April, 1998, 155-162.

“ 'Gerçek' ve Kodlari : TV'de Gizli Kamera Kullanımı Üzerine Notlar ”, Yeni Türkiye , no: 11, September-October, 1996, 166-168.

“Sinema ve Psikanaliz“, Toplum ve Bilim, no: 70, Fall , 1996, pp. 241-249.

“Ulusal Kimlik , Kolonyal Söylem ve Yeşilçam Melodramı ”, Toplum ve Bilim , no: 7, September, 1995, 178-196.

“Das Neue türkische Kino”/"The new Turkish cinema” in Gebrochene Blick nach Westen : Positionen und Perspektiven türkischen Kultur , Zafer Senocak (ed) Berlin , Babel Verlag , 1994, 293-302. translation from the turkish by Deniz Göktürk .

“Das Fernsehen in der Türkei ”/”Television in Turkey ” in Gebrochene Blick nach Westen : Positionen und Perspektiven türkischen Kultur , Zafer Senocak (ed) Berlin , Babel Verlag , 1994, 281-292. translation from the turkish by Walter Menzler .

“Köpekbalığı ve Protez", 25. Kare, January-February 1993, no: 3, pp. 10-12.

"Nobelzede Bir Yazar”, Cumhuriyet Kitap, 1991.

“Zihin-Araç-Bilgisayar”, Cumhuriyet Kitap, October 26, 1990.

“Anlatı Geleneğinin Devamı”, Cumhuriyet Kitap, November 9, 1990.

“Seyirci ve Gerilim”, Cumhuriyet Kitap, November 23, 1990.

“Gerçekliğin Yeniden Sunumu”, Cumhuriyet Kitap, December 20, 1990.

(with C. Taşçı , N. Karagülle) “Bilgisayar Eğitimi Üzerine Düşünceler ” (konferans tebliğ derlemesi ) Bilişim 1988 , Ankara , Türkiye Bilişim Derneği , 1988.

 

  books editor (with Miyase Christensen) Shifting Landscapes: Film and Media in European Context (New Castle: Cambridge Scholars Press, 2008).

Seyirci ve Sinema Ankara , Med-Campus-GISAM, 1994.

(with/N. Avci , C. Tasçi , D. Derman , Ü.S. Köymen) Enformasyon Toplumu ve Egitim Sistemlerine Etkileri : Türk Eğitim Sistemi Açısından Yakın Geleceğin Degerlendirilmesi Ankara, Milli Egitim Bakanligi , 1992.

Sinema Kitabı , Istanbul , Ağaç Yayıncılık , 1992.

 

  conferences, talks, etc. “Sound Design in New Turkish Cinema - Alibi Caught Red-Handed?NECS – The London Conference, Sonic Futures: Soundscapes and the Languages of Screen Media, University of London, June 23-26, 2011 King’s College London, Birkbeck, Regent’s College, Senate House

“Issues of National/Ethnic Identity in the Early Years of Cinema in Turkey, 1894-1929” “Topographies of ‘Turkish Cinema’: Hybrids, Hyphens & Borders” 21-22 April, 2011. İzmir University of Economics/Department of Media and Communication, İzmir.

"City forgotten and then remembered again: early years of cinema in Istanbul" , Screen Theorizing Today University of Glasgow, 3-5 July, 2009, Glasgow.

“City Forgotten and Then Remembered Again: Early Years of Cinema in Istanbul”, workshop: Orienting Istanbul: Cultural Capital of Europe?, 25-27 September, 2008, University of California, Berkeley.

"Shooting Stars: How Television Handles Trauma", 2006 Association for Cultural Studies Crossroads Conference, July 20-23, 2006, İstanbul Bilgi University, İstanbul.

“Kezban: Rome first and then off to Paris” Bahçeşehir University, “From Westernization to the EU: Modernization, Cinema, Spectacle” co-hosted by University of Bahçeşehir and French Cultural Institute in Istanbul, Turkey, June 23-25, 2005.

“Europe in Cinema, Cinema in Europe” Kezban: Rome first and then off to Paris, September 15-19, 2005, Southampton, England.

“I. Uluslararası Bilgi Hizmetleri Sempozyumu: İletişim” May 25-26, 2006, İstanbul University, İstanbul.

"The space and time of the spectator: a few problems" workshop: Secularism, Religious Nationalism, and the Public Sphere in Comparative Perspective, October 15-17, 2004, Bilkent University, Ankara.

"Programme Palette" moderator: Programme as a Presentation Format workshop, Holland Film Museum, July 2004, Amsterdam

"Vizontele: Representations of Modernization in Turkish Cinema," Türk Film Araştırmalarında Yeni Yönelimler, 2001, Bahçeşehir University, Istanbul.

“Sessiz Bedenler , Bedensiz Sözler : Yesilçam Sinemasinda Ses ”, Türk Film Araştırmalarında Yeni Yönelimler III/ Karşılaşmalar, Bahçesehir University-Istanbul Fransiz Kültür Merkezi , 3-4-5 July , 2001.

“What is so Interesting about Turkish Films?” Transnational Turkish Cinema Workshop, 7-8 December , 2000, British Academy-National Film Theatre, London .

“New Turkish Cinema and the Pleasures of the Audience: Problems and Possibilities”, Society for Cinema Studies Conference, West Palm Beach , FL , Nisan 15-18, 1999. “ Yeşilçam'da Beden ve Mekan ”, Mimarlar Odasi , Ankara , 20 February , 1998.

“The Making of Our America : Hollywood in a Turkish Context”, Hollywood and its Spectators: Reception of American Films 1895-1995, Commonwealth Fund-University College London, London.12-14 February 1998.

“Sinemada Postmodernizm ”, (panel) Turko -British Association, Ankara, 20 April, 1998.

“Articulation of Body and Space in the Turkish Cinema”, Time and Value Conference, Lancaster , University of Lancaster , 11 Nisan 1997. “ Yeşilçam under the “Influence” of Hollywood ”, American Studies in a Turkish Context Conference, USIS-American Studies Association, Izmir , 7 November, 1996.

“Another Case of Mistaken National Identity: Turkish Cinema and Colonial Discourse”, Theory, Culture and Society Conference, Culture and Identity: City, Nation, World, Berlin, 13 August , 1995; Media: Gender, Nation, Identity, Goethe Institut -GISAM, Ankara 19-20 October, 1995.

“Medya Devrimi ve Türk Gençligi - Tüketim , Rock Müzigi ve Seks ile Özgürlük mü?”/”Freiheit durch Konsum , Hard Rock und Sex? Die Medien -Revolution der türkischen Jugend ” (panel: Ayça Tolun , Zafer Şenocak , Thomas Hartmann ile birlikte ) Bildungswerk für Demokratie und Umweltschutz e.V . Berlin/Haus Der Kulturen Welt, July 2, 1994.

“Sinema Kuramlari Üzerine Genel Bir Değerlendirme ”, Ankara , Bilar , November 16, 1992.

“Video-Art üzerine ”, Ankara Goethe Institut , February 20, 1988.